Ever been asked if a painting has a photo or a print under it?
Painting with oil over photographs on canvas was a widespread practice in the nineteenth century, mainly for the production of portraits and copies of oil paintings. Despite its popularity, oil-painted photographs have not been thoroughly studied, leading to many of these works remaining unidentified.
This talk will focus on the technical development of the photo-paintings, knowledge of which is necessary for their identification. It will also discuss the practice of the portrait painter Richard Hooke in relation to his portrait of the Reverend William Gaskell.
Conservator, Ashmolean Museum of Art and Archaeology
Jevon Thistlewood joined the Ashmolean Museum’s Conservation Department in 2007 as the Conservator of Paintings. In the same year he became an accredited conservator with the Institute of Conservation. He graduated from the University of Leeds with a degree in Chemistry and a master’s degree in Sculpture Studies. He also has a master’s degree in the Conservation of Fine Art (Easel Paintings) from the University of Northumbria.Paintings Conservator, Tate
Luz Vanasco is a paintings conservator at Tate, London. She has worked in various institutions in Latin America, Spain, and the UK. She holds both a BA and Master’s degree in conservation of cultural heritage from Argentina, as well as the Postgraduate Diploma in the Conservation of Easel Paintings from The Courtauld Institute of Art (UK).